The Signing Singing Voice (2024)

Seeing Voices: Analyzing Sign Language Music

Anabel Maler

Published online:

21 November 2024

Published in print:

20 January 2025

Online ISBN:

9780197602010

Print ISBN:

9780197601976

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Seeing Voices: Analyzing Sign Language Music

Anabel Maler

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Anabel Maler

Anabel Maler

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Pages

90–114

  • Published:

    November 2024

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Maler, Anabel, 'The Signing Singing Voice', Seeing Voices: Analyzing Sign Language Music (New York, 2025; online edn, Oxford Academic, 21 Nov. 2024), https://doi.org/10.1093/oso/9780197601976.003.0004, accessed 28 Nov. 2024.

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Abstract

This chapter argues that the singing voice need not be an audible one: in sign language music, the signing performer may rarely or never produce any audible vocal sounds, and yet these pieces of music are unquestionably vocal. But what constitutes a signing singing voice? This chapter outlines the philosophical and musicological underpinnings that support the notion of a signing voice, as well as exploring concepts of voice within Deaf culture. It identifies several key elements of vocal delivery as they pertain to signing voices, focusing on prosody, mouth movements, facial expressions, eye gaze, body movements, and collectivity. It argues that the signing voice exists at the crossing of meaning, site, and motion, understanding the signing voice as moving through space, using the entire body, and emerging out of communal, reciprocal experiences between bodies.

Keywords: voice, sign language, American Sign Language, ASL, Deaf, singing

Subject

Musicology and Music History Music Theory and Analysis

Collection: Oxford Scholarship Online

Seeing Voices. Anabel Maler, Oxford University Press. © Oxford University Press 2024. DOI: 10.1093/oso/9780197601976.003.0004

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